THE GREATEST MOVIES OF 2013, CONTINUED!

First, I should mention that I haven't seen any of the following yet, and my guess is some of them will throw this whole ordered list out of whack:

Inside Llewyn Davis
The Wolf of Wall Street
American Hustle
Computer Chess
Stoker
Leviathan
Much Ado About Nothing
Before Midnight
Pain and Gain
Gravity
Blue Is the Warmest Color
12 Years a Slave
The Motel Life
Nebraska
Her
and practically anything foreign. :(

Not that I had a ton of credibility to start with.

OK. Moving on!

6. Sightseers
Ben Wheatley directed Kill List, which means I will watch any and every movie he makes from now on. Sightseers is crazy and hilarious and brutal and very disturbing -- like all love stories, I guess. It glorifies the small and shabby, and repays the mildest of insults with explosions of way-disproportionate violence. You will never again consider littering in a national park in Yorkshire, believe me. Great stuff.




7. Spring Breakers
I keep trying and failing to write something coherent about the way pop culture today packages its wealthy/greedy/money-focused characters, as opposed to the way it did in say the mid-'80s. Maybe something about the crappy economy makes wanting lots of nice things more forgivable. When I was a kid it was self-evident that a lust for wealth meant you were a villain - "greed is good" was clearly bad. (Ugh. Am I accidentally getting nostalgic for hardcore capitalism? Great.) Anyway. This is no longer taken for granted. In terms of storytelling, it's no longer the case that a naked desire to have lots of things signifies a lack of soul. Now greedy types are just empty, listless kids, taking things because it's easy and they're slightly bored. (I didn't see The Bling Ring, either. Oops.) All in all I find it depressing but that's probably just a personal bias.

Anyway -- I did not expect to like this movie and I doubt I've sold it to anyone based on the above nonsense. ("No seriously, it totally clarified how the shifting economic climate and our habitual abuse of credit for instant gratification has complicated basic narrative structure, morally speaking! You'll love it!") ("Plus guns! and bikinis!") But it really surprised me. It turned out to be hilarious and terrifying and multi-layered, not to mention just weird as all get-out, and it cast a gloomy, heartbreaking light on some of those awful, presumably soulless, grasping kids.

Also James Franco's teeth, I mean sweet jesus, how can you not love that. So shiny!



I'm not picking #s 8, 9 and 10 because I can't decide, and it doesn't matter. Ask me next week and my whole list will be different anyhow. Women are fickle. Here's a bunch of other stuff I saw:

The World's End - Fun and sad. Mostly fun. Makes a compelling argument that the losers will be winners after the apocalypse. Extra points for the Wild Angels reference. Disturbingly anti-beer, though. (As a corrective, every time you spot a Ben Wheatley crossover: drink.)

Enough Said - Really lovely. Can't decide if it made me slightly encouraged on the topic of dating or dead-certain that I never want to date again. ("Date" - who even does that?)

The Visitor - What do we say about this one...I'll just -- well, here:

THE VISITOR [Trailer] - Now In Theaters from Drafthouse Films on Vimeo.

I mean, Sam Peckinpah! Come on!

Side Effects
If we're dividing Soderbergh's work into Hot and Cold (Out of Sight = Hot; Haywire = Cold), this one is decidedly the latter. I admired it without really liking it. Does that make sense?

Behind the Candelabra - Soderbergh again. I saw this very late at night, and need to rewatch it, but I can tell you the ghoulish physical transformations alone are astounding. All the men look like Barbies. (This is by far the closest Matt Damon has come to resembling himself as he appeared in Team America: World Police.) But you can see everyone's ragged hearts right below the horrorshow surface. It might be campy in certain aspects but it's very far from silly.

The Great Gatsby
I guess nobody else liked this. It totally worked on me, though. Saw it with my mom. We swooned.

Hansel and Gretel: Witch Hunters - Got talked into this one by a guy after a couple of drinks. Good dumb fun. The diabetes thing was funny.

Welcome to the Punch - see above (but no diabetes).

To the Wonder
Yes yes, way too much twirling. But come on: who else is asking the kinds of questions Terrence Malick asks in movies? It's no Tree of Life, but what is?

Warm Bodies - would've been 90 billion times better without that zombie-learns-to-drive scene. Very sweet, though.

Byzantium - Gemma Arterton's boobs are amazing! OMG. There's one hilarious scene in which, after having tried really hard to establish this as a feminist empowered-vampire thing, the filmmakers kick back and watch Gemma luxuriate in a shower of fake blood against a cliff, and suddenly it's an ad for Axe body spray. Loved it! Also featuring the kid who played Banshee in X-Men; Sickboy/Sherlock; and Saoirse Ronan.

Pacific Rim - Tried to get into it but could not, for some reason. Too big? Don't like robots? I dunno.

Also caught a couple of ... I guess we call them miniseries. I don't watch much TV because I lack self-control, so I'll start on something just to check it out and then sort of "come to" several days later, very hungry, my life in tatters around me -- but these are very short:

Top of the Lake - dark and ultra-creepy Jane Campion crime thriller. Faramir!

The Fall - if Gillian Anderson's face in the mirror in the first minute or so doesn't gut you, then you are probably not female and/or aging. The whole thing's really good, though; she plays a totally scary, unapologetic (most likely sociopathic) hard-ass, and it's great.

Sherlock - the BBC one, starring my boyfriend, Martin Freeman. I have one episode left to watch and really hope they're making more.

SO anyway. Go watch Upstream Color already.